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Much of what we see on screen is the protagonists acting surly and withdrawn, avoiding people or giving monosyllabic responses.(The clueless parents see both their children begin to behave out of character at the same time but never seem to consider that there might be a common cause.) I believe it would take truly superior actors to infuse this script with the drama befitting the characters' experience and in my opinion, Bernal and Vega are not up to it.Disclaimer: has a zero-tolerance policy against illegal pornography.
The relationship between Richard and Natalie proves dangerously obsessional. See full summary » A writer, Ned Kendall, is asked to return to the family home by his sister Sally, to say goodbye to his father who is dying.See full summary » Guilherme and Sofia, brother and sister, grow up sharing experiences and slowly discovering their sexuality.The thing that Sofia doesn't know is how far Guilherme will go to keep her inside his own perverse, dark and perfect circle.It is hard to watch the kidnapper give his spiel and not think of Hannah Arendt's phrase "the banality of evil." Considering the capabilities of these actors, I believe making that scene so detailed showed poor judgment.) One thing worth highlighting is that this film is closer to a vignette than a structured narrative.Despite some indications to the contrary, I believe there is no culminating climax or resolution--it is pretty flat after the kidnapping.
Suffice to say the kidnappers borrow a page from the Japanese army's Nanking handbook.) The film follows the aftermath of this abuse, showing how the siblings' character and behaviour are altered.