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Would you call yourself a Method actor, or something else? They taught a lot of things and I was fortunate, which I didn’t appreciate at the time, to have three artistic directors —it was a period of transition, the first director had been there 13 years when we arrived and he was retiring.He became quite reflective and passed on a lot of stories that were, I imagine, what he thought were the most important things which at the time I didn’t want—I didn’t want life’s lessons I wanted to learn to be an actor!I think there is a responsibility to find your own way.With the three people who headed the drama school, who were so obviously different, I was so frustrated, but then I realized, ah! So I spent a lot of time in the library, reading about whomever whether it be [Vsevolod] Meyerhold, Stanislavsky, [Tadashi] Suzuki —which is a normal education in drama anyway— but really finding out who and what I might align with, and basically there’s something in just about everything.The couple eventually divorced and for several years the young Marton remained estranged from his father but was infected with a never-ending wanderlust himself: After high school, he spent several months traveling around Europe, a period which he says opened his eyes to the arts.Upon returning to New Zealand, Csokas spent time at university and an arts school, eventually settling on acting as a vocation and winding up at the New Zealand Drama Academy.
Born in Invercargill, New Zealand, to a Hungarian father of the same name, a mechanical engineer who fled Hungary after World War II, and a Kiwi mother, a nurse, Csokas and his younger brother ping-ponged between Australia and New Zealand as his ever-restless father took jobs in several locales.
I had a very eclectic training, classical predominantly, but very eclectic and it’s still very eclectic for me.
I think you find your own method – your own process is very, very important.
disapproval, looking to other people to see if they disapprove of what you’re doing in your work, and personally as well I suppose, but specifically in this case with work, do people like what I’m doing?
—especially as a student when you’re learning— or do they dislike what I’m doing?
She was a standout in Tim Burton's poorly received "Dark Shadows" (2012) opposite Johnny Depp and is currently earning rave reviews for her mysterious and supernaturally-charged Vanessa in Showtime's "Penny Dreadful." This summer, she can be found as the sexy and manipulative Ava in Frank Miller's "Sin City: A Dame to Kill For." From her famous relatives to her connection to President Nicolas Sarkozy, here are 27 things you probably don't know about Eva Green. Eva Gaëlle Green was born July 6, 1980 in Paris, France to Marlène Jobert, a French actress, and Walter Green, a dentist. Her last name is pronounced "grain" and is derived from the Swedish word "gren," meaning tree branch. Her mother was born in Algeria, but has European ancestry, while her father is of Swedish and French descent. She is Jewish on her mother's side, however, she doesn't consider herself religious. The actress has a non-identical twin sister, Joy, who studied business, and is married to an Italian count. Through her father, Green is the great-granddaughter of the French composer and music critic Paul Le Flem. Her accomplished French family doesn't end there, though. Soon, though, they supported their daughters ambition. After appearing on stage, Green migrated to film and made her screen debut in renowned director Bernardo Bertolucci's NC-17 "The Dreamers" (2003). The role required extensive full-frontal nudity and graphic sex scenes. Director Ridley Scott took note of her performance in "The Dreamers" and cast Green in his medieval epic "Kingdom of Heaven" (2005). And she was hired only a week before production began! Her big break came in the James Bond film "Casino Royale" (2005), when she portrayed a Bond girl. Green admitted she was reluctant to take the role, and even opted to not audition early in the process, but eventually the part came back to the actress.