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More recently, the 2015 science-fiction film Ex Machina featured a genius inventor experimenting with gynoids in an effort to create the perfect companion.Fiction about gynoids or female cyborgs reinforce essentialist ideas of femininity, according to Margret Grebowicz.The first was produced by Sex Objects Ltd, a British company, for use as a "sex aid".It was called simply "36C", from her chest measurement, and had a 16-bit microprocessor and voice synthesiser that allowed primitive responses to speech and push button inputs.
While not truly artificially intelligent, the fembots still had extremely sophisticated programming that allowed them to pass for human in most situations.In this myth a female statue is sculpted that is so beautiful that the creator falls in love with it, and after praying to Venus, the goddess takes pity on him and converts the statue into a real woman, Galatea, with whom Pygmalion has children.The first gynoid in film, the maschinenmensch ("machine-human"), also called "Parody", "Futura", "Robotrix", or the "Maria impersonator", in Fritz Lang's Metropolis is also an example: a femininely shaped robot is given skin so that she is not known to be a robot and successfully impersonates the imprisoned Maria and works convincingly as an exotic dancer.My #chat on #kik with #zo who is the new #Microsoft #AI powered #chatbot was not very cool. A fembot is a humanoid robot that is gendered feminine.
The film's sequels had cameo appearances of characters revealed as fembots.